I was a teenage Indie kid. Dark blond hair cropped short at the sides and a fringe over one eye. Black jeans. Shirts the closest thing to psychedelic you could find in Ilford’s charity shops. Some army-surplus hooded jacket. Sneakers. You get the idea.
This was all back in the late 1980s when Margaret Thatcher ruled the land and indie music worshipped at the altars of The Pastels, The Jesus & Mary Chain, and the American noise scene. I smoked Rothmans, bought a lot of records, and sneaked into pubs that didn’t ask for ID.
It was the days of cider and black; lumps of dope in matchboxes; flicking through the LPs in HMV and the Virgin Megastore, Oxford Street; watching gigs at The George Robey, the Astoria on Charing Cross Road, the Town and Country Club; sitting on the floor next to girls at parties; wandering round Camden Market and buying Velvet Underground posters and bootleg cassettes of indie gigs in photocopied covers on bright coloured paper. I had a metallic red guitar I couldn’t play very well.
My school friend Simon Ward taught me the chords to Revolution by Spacemen 3 and I daydreamed about being in a band. Simon had already made that leap.